Hatefully pissed off brutal experimental electronics harsh noise. "Girlfiend" is a 20 min epic of metal industrial/grating noise that is as heavy as it is painfully shrill. "Lake Merritt Hell Hotel" is comprised almost entirely of "field recordings" from violent and insane instances at this particular slum palace in Oakland. Listen closely for when the night manager tries to hit me in the head with a lamp. The track concludes with a sample from a delusional neighbor, speaking in half-tongues, half-schizophrenic word salad about his remarkable occult power. Next is "Emons" a harsh-noise death-throb track alternating with samples of mental patients describing some incredibly weird shit. The album concludes with "Bullshit Artist" paying homage to power electronics pioneers Whitehouse through pounding, complex bass drum rhythms, mangled and pissed off vocals, and sheets of hideous, ever-morphing noise blasts.